Music composed, performed & produced by Ulises Labaronnie
Recorded at U_estudio, Buenos Aires, Argentina on november - december 2021
Instrumentation:
Yamaha SY77 and CS15, Korg Opsix and Poly 800, Waldorf Blofeld
Korg SDD3000 Delay, Yamaha EMP100 Multieffects
credits
released January 21, 2022
A strange dialogue between possible alterations of a scale and a tonal center, in the background representing proposals, ideas, divergences in the face of a solid and stable truth
the constructions come and go, creating almost a tonal uncertainty and also a departure from the sound center of gravity, but sooner or later, the tone enters and everything returns to its origin,
late in the composition, a distant note on the scale makes a proposal that is as full as the solid tonal center, and, as a new truth, makes possible another form of stability,
and then 3 places are formed, 2 stable, far from each other, and the unstable and enigmatic constructions.
It is not only a musical composition, but also an exercise in thought and reflection. Ambient Music has that particular detachment with the adjusted time, allowing the mind to come and go over an idea, to the point of developing it in its fullness.
Originally the music was born in a moment of anxiety, where I wanted to reach a calm, when playing, slowly, I was assigning the different emotions to each note, and everything was transformed into a figurative reflection, the change became tangible, and after being By recording the original take for 45 minutes, not only had my state changed but a new piece of music had been born. Then I worked timbrically and also reinforced the places, but the structure was preserved intact, because there is everything that had to be said or learned.
Un extraño dialogo entre posibles alteraciones de una escala y un centro tonal, en el fondo representando propuestas, ideas, divergencias frente a una verdad solida y estable
las construcciones van y vienen, creando casi una incertidumbre tonal y también un alejamiento del centro de gravedad sonoro, pero tarde o temprano, el tono ingresa y vuelve todo a su origen,
ya avanzada la composición, una nota lejana de la escala realiza una propuesta que es tan plena como el solido centro tonal, y , como una nueva verdad, hace posible otra forma de estabilidad,
y se forman entonces 3 lugares, 2 estables, lejanos uno del otro, y las construcciones inestables y enigmáticas.
No solo es una composición musical, sino también, un ejercicio de pensamiento y reflexión. El Ambient Music tiene ese particular desapego con el tiempo ajustado, permitiendo a la mente ir y venir sobre una idea, al punto de desarrollarla en su plenitud.
Originalmente la música nació en un momento de ansiedad, donde deseaba arribar a una calma, al tocar, lentamente, fui asignando las diferentes emociones a cada nota, y todo se transformo en una reflexión figurada, el cambio se hizo tangible, y luego de estar grabando por 45 minutos la toma original, no solo había cambiado mi estado sino que una nueva pieza de música había nacido. Luego trabajé tímbricamente y también reforcé los lugares, pero la estructura fue preservada intacta, porque ahi esta todo lo que había que decir o aprender.
Composer, performer & producer
An unique blend of influences leads him to develope a very personal style, out of
conventional frames.
He has made numerous albums, DVDs, as well as music for film, TV, theater, video games and scientific activities.
He directs the synthesis and performance chair at the Buenos Aires School of Music, and is a mentor to many young artists....more
The place for a large discography about the most experimental side of my work, including electroacustic, acousmatic, sequenced, microtonal, darkambient and things without any kind of label Ulises Labaronnie
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